JANE, with lengthy blonde hair, enters. Attractive in an effortless way, she carries an alluring and yet forward charm behind a bold smile.— Ross Putman (@femscriptintros) February 11, 2016
She turns and we see her face for the first time. This is the very beautiful, very troubled JANE.— Ross Putman (@femscriptintros) February 10, 2016
Behind a steamy shower door is the indistinguishable but sexy silhouette of JANE showering.— Ross Putman (@femscriptintros) February 10, 2016
All heads turn to find JANE (28) in the doorway: stunning and trying her best to hide it.— Ross Putman (@femscriptintros) February 10, 2016
Like draping the Venus De Milo in a burlap dress, Jane’s sensational natural beauty fights through her plain blue Ann Taylor outfit.— Ross Putman (@femscriptintros) February 10, 2016
With the popularity of this new feed's listing of the introductions of female characters in scripts, I decided to look at my current draft of a script and see how well I'm doing in comparison....:
Seventeen-year-old JANE1 is standing against it, looking at the camera. She is thinnish and tallish, the child of a black mother and a Cambodian father. She is dressed in jeans and a tshirt. The tshirt has a drawing of Emma Smith and the caption UR MORMON CHICK. Even though it is clearly cold outside, she seems hot, as if she's been carrying boxes.
JANE2 at first seems to be the typical teen-movie perfect blond. She is seventeen, thin and wearing a 50s-style dress in a fascinating modern print; her hair is long and, like everything about her, kempt. Yet on closer examination, she'll prove to be a nerd, not a trophy, and her face will more emotive than beautiful. She, like the other two, is carrying a coat or other warm clothing to put on over what she's wearing.
JANE3 is built for strength. She looks like she could maybe make her high school's football team. She is dressed well, but it doesn't look like it was her idea.
JANE4 is heavy but wears her weight with confidence--she clearly thinks of herself as voluptuous rather than fat. She is dressed well, and means it, but unlike JANE2 who provides an aesthetic to be seen from afar, JANE4's appearance is more a dare to come closer. She's a year older than the other three girls but could pass as a decade older if she wanted.
JANE5 is tall. Her hair is long and unstraightened. She's obviously tired after a long day but her demeanor suggests she's used to running at full charge.
JANE6 seems young to have grown children, yet she does. She dresses in an aggressively 50s-housewife fashion, but these dresses do not completely cover the tattoos on her upper arms, legs, chest, back. Her demeanor is so conservative it feels radical.
JANE7 is working at her desk.
JANE8, a blond girl who looks like the new-and-improved Stepford-student non-hipster version of JANE2 is standing beside JANE3, unexpectedly, as in a horror movie.
JANE9 is JANE2's older sister. She is a stay-at-home mom and, while dressed up, looks exhausted.
JANE10 is obviously trying to be the town badass.
Hmmmm. I'll let you tell me how I did, but I'll tell you what it makes me feel: sad I'm not spending more time with them. But scripts are hard to prioritize when the money ain't comin' through.